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FOUR SEASONS HOTEL, Macau 

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Four Seasons Hotel is the world’s leading operator of luxury hotels and resorts. 
Within a 19-storey tower, Four Seasons Hotel Macao, Cotai Strip offers 360 beautifully appointed guest rooms, including 84 suites. Reflecting a neo-classical elegance and incorporating Oriental accents, the décor gracefully employs rich gold, jewel tones and lush brocades and velvets.
 
ARCHITECTS: AEDAS · INTERIOR DESIGNERS: Hirsch Bedner Associates · PROJECT MGMT: Hsin Chong Engineering Macao Ltd. · MEP CONSULTANT: Parsons Brinckerhoff Ltd

FOUR SEASONS HOTEL, Macau


Four Seasons Hotel is the world’s leading operator of luxury hotels and resorts. 

Within a 19-storey tower, Four Seasons Hotel Macao, Cotai Strip offers 360 beautifully appointed guest rooms, including 84 suites. Reflecting a neo-classical elegance and incorporating Oriental accents, the décor gracefully employs rich gold, jewel tones and lush brocades and velvets.

 

ARCHITECTS: AEDAS · INTERIOR DESIGNERS: Hirsch Bedner Associates · PROJECT MGMT: Hsin Chong Engineering Macao Ltd. · MEP CONSULTANT: Parsons Brinckerhoff Ltd

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Anica is most dedicated to both her career and the task at hand. Her knowledge and expertise far exceed her experience. A strong work ethic combined with enthusiasm and fresh ideas make her an asset to any team or project. While at Hirsch Bedner she consistently delivered a quality work product to The Venetian Macau Project.

— John Del Prete, Construction Manager, Venetian Macau Ltd.

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On-site Construction Photos

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Outstanding Thesis of the Year Award 2008 for MANILA YACHT CLUB International


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I’m very productive and I really make time to improve and become better at my skills. I can draw, paint, sketch and I am really good with my hands. I’m an artist and have an eye for beautiful things!

I’m very productive and I really make time to improve and become better at my skills. I can draw, paint, sketch and I am really good with my hands. I’m an artist and have an eye for beautiful things!

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CHARCOAL HAND SKETCHES


“Charcoal to me is also a good way of learning gray gradients and lighting techniques. It’s like making abstract photos without using the computer.”

This versatile medium isn’t just for life drawing. I use charcoal for detailed tonal studies and large expressive works, with rich blacks and subtle tonal values.

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